Of course there is always some moaning regarding the Thessaloniki Concert Hall. No matter where you sit, the acoustics are terrible, like being in a huge bathroom with lots lots lots of echo. And the temperature? Boy!at the foyers, in the hall, the medium temperature was of about 30+degrees. Poor Marcelino that had to sing under these circumstances.
But Marcelo Álvarez is a tiger. He doesn’t need good acoustics nor a perfect temperature to thrill the audience. It’s this amazing charisma that you ‘ll find in very few opera singers, the charisma to arrest the audience’s eyes for as long as you are on stage, to cut the audience’s breath for as long as you sing. And both these things happened. A couple of minutes were enough and myself as the rest of the audience were under the spell of this magician who made us laugh, cry, scream bravo like crazy, who left us speechless, who made us feel alive.
Marcelo first appeared on stage at about 21.20, looking A LOT THINNER, after the ouverture to Gounod´s Mireille, beautifully performed by the Thessaloniki State Orchestra, to sing Romeo’s "Ah, leve-toi soleil!". What a sound! Mellifluous, round, no edges at all, a projection that overruled the bad acoustics, a pronunciation that most tenors who sing French repertoire would be jealous of, and those high notes!! He made them look so easy, singing them so effortlessly! And real pianissimi! He had definitely passed the parsi-test. Now I could relax and just enjoy the rest…
"Ah! Leve-toi soleil", Marcelo Álvarez, Thessaloniki, 13 Sept. 2008
Second aria and this time it’s Don José. Mmmm…. More beautiful sounds. Hey, but not only beautiful sounds, are these tears climbing up my eyes? Marcelo had done it…
Massenet time! The Thessaloniki State Orchestra with soloist Simos Papanas play the Méditation from Thais. Papanas was definitely a highlight of the night! What a magnificent interpretation by this young and so promising soloist. The ones that heard the Méditation performed by the Athens State Orchestra at the Renée Fleming recital can surely compare both performances: the hideous one by the Athens State Orchestra and the marvelous one by the Thessaloniki guys and Simos Papanas. I had some suspicion but after last night I can be sure about it: the Thessaloniki State Orchestra is the best in Greece and light years away from the Athens one…
Back to Marcelo who after the Thais gave us a top Werther, an extravagant "Pourquoi me reveiller" that could easily melt the heart of even the most severe critic (and you know that’s not my case..hehe). End of Part 1 and the audience calls Marcelo again on stage.
During the intermission you can see it at other people’s faces: Sheer happiness, pure joy, I call friends to tell them that they ‘re stupid and that they ought to be here. And I flee to the Hall as I cannot stand the 40 degrees at the foyer.
Second part, Forza ouverture blah blah blah (the next time I listen to the Forza ouverture in a recital I fear that I will do something very bad to myself).
Time for some Rodolfo. Don’t go “Aaaaah!!!!”. I’m not talking about the Bohéme Rodolfo (well, I wish he had sung that too) but about the Luisa Miller Rodolfo. "Quando le sere al placido" is an extremely difficult aria (yeah, as if the others were piece of cake) that can reveal all the voice’s weaknesses, but I found no weakness in Marcelo’s voice whatsoever.
Peak moment of the night: "Il Lamento di Federico" and more tears for Parsi (have I become very sensitive or what?). I can’t say anything. It was so perfect that I can find no words to describe it. Listen to it and you tell me…
"É la solita storia del pastore", Marcelo Álvarez, Thessaloniki, 13 Sept. 2008
Ta dah! "Nessun dorma" is the last aria, a showpiece that usually makes audiences go wild. And wild it went.
"Nessun Dorma", Marcelo Álvarez, Thessaloniki, 13 Sept. 2008
Marcelo was called on stage a few times before his first encore, received some flowers, played with the audience and then amazed us with a beautiful "E lucevan le stelle".
More applause, Marcelo sweating, the audience sweating but it didn’t matter. What mattered was to have some more moments of Álvarez-awesomeness. Second encore: "Core ‘ngrato". Oh c’mon! Stop breaking our hearts and sing us a third encore: "No puede ser" comes third. Marcelo starts sounding tired. The high notes are not effortless any more but he sings with his soul and his voice doesn’t betray him. I take for granted that the recital is over. Standing ovation for our Marcelissimo. He looks dazzled and happy. I’m pretty sure that he won’t go for a fourth but hey! Maestro Angelo Cavallaro takes his place at the podium and the orchestra plays the first notes of Granada. Granada, tu tierra está llena de lindas mujeres de sangre y de sol!
The End.
Marcelo talking, Maestro translating
Marcelo and the standing ovation
Backstage the temperature is even higher. It´s an inferno but nobody seems to protest. Marcelo is happy, we speak for quite a while and then he receives the vice-mayor (more heads of Alexander the Great, this time it was a silver one) and about 50 people who are waiting outside his dressing room.
I tell him that I was listening to his awesome Puritani from Modena the other day and he says “Can u believe it??? Nobody seemed to like me back then! Nobody wanted me to sing”. Well, we do, Marcelo, please come back, to Athens if possible the next time. I also comment on his loss of weight and he seems to enjoy that someone has noticed. And then we say stuff about opera blogs and the photos from the Rome Tosca but that ‘s none of your business. Hehehe.
The view at the dinner
At the post-concert dinner, at the roof garden of Electra Palace, Marcelo looks calm and seems to enjoy his wine and the view from above. What a sweet, totally normal and balanced guy… I tell him “Buenas noches, que vuelvas”. Goodnight, come back.
Gracias Marcelo Raúl Álvarez.
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